The Newsletter
Carnivalesque with Gloria Blizzard
Carnival culture usurps, disrupts, masks, changes, evolves, while you chip to the music down a long road. Carnivalesque is a specific literary genre.
In the spirit of Carnival, Carnivalesque with Gloria Blizzards bends the genre and explores and celebrates manifestations of art and the human spirit.
In this space I apply a lens of Carnival, look at the world askance, appreciate the revelry in costume and masks, gesture and voice, explore our capacities to create art, celebrate this raucously - and explore and honour the healing aspects of art-making.
Here are some examples
of what you'll find.
There's so much more to come!
Subscribe below!

Saving Calypso
“Calypso is the most important music in the world,” says musician Jesse Ryan of the music originating in the twin island nation of Trinidad and Tobago. We talk via screens as I interview him for this article.
We are both in Toronto, and share common origins and ideas. We agree that calypso shares an ancestral musical and cultural thread with all diasporic cultures that originated in Africa and spread throughout the world – to Cuba, to the French- and English-speaking Caribbean and to Brazil – via the chattel slavery system. We both recognize that calypso as a form, speaks to and about power, culture, social dynamics and the evolution of a people. Ryan surprises me however when he says, “Because of its sheer popularity between the 40s and the 70s, it deeply influenced other forms; in the U.S. in the 50s and 60s, it rivalled rock ’n’ roll. Every club had regular calypso-themed events.”
On Language
‘The world is too bisquankay’, said my 93 year old mother says to me that afternoon over the phone. She’d seen too much on the news that day on the television in the main lobby of the senior’s residence. Global chaos. Permacrisis. Unprecedented.
I’d never heard her say this word before – ‘bisquankay’ – ever.
‘What does that mean?’ I ask.
‘I mean, the world is at odds with itself,’ she says.
